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The Ring of the Nibelung
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Bruennhilde: ([[ #77 ]]: Shouting exultantly as she leaps from rock to rock up to the heights on the left: [[ #78 ]]) Hoyotoho! Hoyotoho! Heiaha! Heiaha! Hahei! Hahei! Heiaho!

 

(She pauses on a high peak, looks down into the gorge at the rear of the stage and calls back to Wotan.)

 

Bruennhilde: I warn you, father, forearm yourself; a violent storm you’ll have to weather: Fricka, your wife, draws near in a chariot drawn by a team of rams. (#5) Ha! How she whirls (#5; [#41 Vari on cellos reminiscent of Alberich whipping the Nibelungs?]) the golden whip; the pitiful beasts are bleating with fear; the wheels are rattling wildly: wrathful, she fares to the fray. [Bruennhilde declares this isn’t her kind of battle.] (#77) Then see how you weather the storm! I’ll happily leave you to it!”

 

[Bruennhilde leaves, singing #78]


[image]

[[#78]] Bruennhilde's “Valkyrie War-Cry”

(#78’s motival links, if any, not yet ascertained)

[See #77 for #78’s dramatic context]


[image]

[[#79]] Fricka's indictment of the Waelsung twins’ illicit (adulterous and incestuous) love

Fricka expresses her fear that Wotan’s use of mortal proxies to undermine divine law will bring about the end of man’s faith in the gods. Wotan knows what Fricka can’t afford to acknowledge, that only through this breach in faith can the gods’ ideals and values live on, redeemed from Alberich’s curse

 (#79 based on #58b; #79's initial rhythm influenced by #61)

“(#5 Vari; #41 Duple Vari?: Fricka arrives on the mountain ridge from the gorge in a chariot drawn by two rams: here she stops abruptly and climbs out. She strides impetuously towards Wotan, who is standing at the front of the stage.

 

Wotan: [[ #79 ]] The same old storm, the same old strife! But here I must make a stand!

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