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The Ring of the Nibelung
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[465W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 345]

{FEUER} “Consciousness is the end, the dissolution of unconsciousness: but unconscious agency is the agency of nature, of the inner necessity; only when the result of this agency has come to physical appearance, does consciousness set in – and that, of just the physical phenomenon. So ye err when ye seek the revolutionary force in consciousness, and therefore fain would operate through the intelligence: your intelligence is false – i.e. capricious – so long as it is not the apperception of what already has ripened to a physical appearance. Not ye, but the folk – which deals unconsciously – and for that very reason , from a nature-instinct – will bring the new to pass; but the might of the folk is lamed for just so long as it lets itself be led by the chain of an obsolete intelligence, a hindering consciousness: only when this is completely annihilated by and in itself, -- only when we all know and perceive that we must yield ourselves, not to our intelligence, but to the necessity of nature, therefore when we have become brave enough to deny our intellect, shall we obtain from natural unconsciousness, from want, the force to produce the new, to bring the stress of nature to our consciousness through its satisfaction.” [465W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 345]

 

[466W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 346-347]

[P. 346] {FEUER} “The unconscious is precisely the involuntary, the necessary and creative, -- only when a general need has satisfied itself at behest of this involuntary necessity, does consciousness set in, and the satisfied, the overpassed, can now become an object of conscious treatment by representation; but this it attains [P. 347] in art, not in the state. The state is a dam to necessary life; art is the conscious expression of something life has brought to end, has overcome.” [466W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 346-347]

 

[467W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 347]

[P. 347] {FEUER} “ … art is eternal, because it ever represents the temporal faithfully and honestly, -- the state temporal, because it fain would raise the moment to eternity, and therefore is dead in itself before it has so much as entered life.” [467W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 347]

 

[468W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 349]

[P. 349] {FEUER} “… through him [the poet], … the unconscious in the people’s product comes to consciousness, and it is he who imparts to the folk this consciousness. Thus in art the unconscious life of the folk arrives at consciousness, and that more definitely and distinctly than in science.” [468W-{49-51 (?)} Notes for ‘Artisthood of the Future’ (unfinished); Sketches and Fragments: PW Vol. VIII, p. 349]

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